Today, most radiant in life and recklessly on stage People’s Artist of Russia and the art director of the theater “Satyricon” Konstantin Raikin 65 years old.
Once he was in “the Russian newspaper “to” business breakfast “at a party. Then the conversation turned almost one passionate, long and sparkling one-man monologue: “I want to go on stage, stage performances, engage in theater. As soon as I was deprived of this opportunity, I become socially and politically dangerous, because I have a lot of energy. I need to use, as before, for peaceful purposes … “
On the day of the anniversary of Konstantin Raikin recall his spectacular pieces.
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Konstantin Raikin: I am my past is much less expensive than the present day. Because the theater – is the art of the present. I want to work every day, and this is the essence of my daily profession. I have a life outside the profession is not needed.
Why is life outside the profession do not need? What is your profession such a wonderful?
Konstantin Raikin: It is my destiny, I can speak lofty words. I have a complicated relationship with her, and still, when I hear in his address some critical things, how can they be compared with those that I incriminate myself? And how can achieve commendable in my address to the level of claims, which I myself have? Never in my life. It is impossible to utter what I want from you.
A presence on the scene helping to deal with them?
Konstantin Raikin: for men profession – is generally a way to get better. For women, there is motherhood. There are, of course, “breast feeding” the man, but I am not responsible for them. First of all I mean myself, because the beloved is still at me. So for a man profession if it is properly chosen, – the most suitable and shortest way, a lifetime to become better. If a person working in the theater, at the end of life is evil, envious, and is okay, so he chose the wrong thing.
In principle it is a healthy profession, if it fits properly, helping to become a decent, generous. Rejoice in the success of others – also very big circus theater. And not only in the theater. Just theatrical people to see. In life in general uncommon for someone to enjoy the success of others.
you when running, some concessions to the public do?
Konstantin Raikin: No. It should be immediately taken into account that the theater – the art of chamber, designed for elite. 90 percent of residents do not go to the theater. So all my life I have to deal with the best people of the country and the city. Among these the best people I feel good, because it was accustomed: what I like, and like the majority of this minority. I appreciate their democratic and similarity to others. I’m not the director They reflect who understands that more nobody understands, and is therefore condemned to please only himself. And another critic who prefer to sit alone in the room and did not like it when he gripped tightly on all sides by the audience. For me it is a sad case.
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Over the years the repertoire of your theater is getting worse …
Konstantin Raikin: But he never was not frivolous. Another thing is that I’ve never been shy in this buffoonery. There was not such a sissy, intelligent artist who can not show a frog. In recital I can make you laugh so that you fall out of the chairs. And when you come after me, naedites what they wanted, I’ll read Mandelstam.
Away from Moscow, there is a difference in the perception of “Satyricon”?
Konstantin Raikin: When I had worked in concert activity on the dispute could, without knowing anything about the city, but by the reaction of the audience to say, there are theater or not. No theater – people do not have skills of scenic perception. Output, hello, you are responsible from the audience. We have to explain that to talk to me is not necessary, you react or laughter or silence, and I’ll tell you for myself. Even clapping for them looks like something strange … A major theatrical centers on the level of public perception of impact is even higher than in Moscow. In Ekaterinburg, Saratov, Novosibirsk, we are very well received. They are not shy to respond, surprised.
In Moscow, the audience still snobbish. To avoid being branded a fool, the man looks around for a long time – whether their incentive to express emotion, he does not look like a layman, they say, so once bought and not obegorili Do it, do not trash this … Moscow – an entire country. For his province. From the sleeping area, sleeping soul. In the Marina Roscha also has its own transportation. They do not like the audience sluggish. What, for example, can be at the Moscow Art Theater, where just a pleasant stroll through the pedestrian zone Kamergersky lane, you can go and Tadashi Suzuki view, the main impression of the overall picture of the beautiful city, this is not very strange spoils. And I have in the theater, when something is too thin and sluggish happens, people just get up and go.
In fact, I do not like sluggish on stage. Most will say that no one likes. Special theater tasters should not be taken into account – they are professional audience. I look forward to audiences enthusiasts. On such that after the hard work for some reason, come to the theater. I begin to incriminate that excites me even classics like sometimes write – well, why is it so. But how can it be quiet classics? Classic and Classic because it is always about the passions. Shakespeare, Tolstoy – continuous passion. I had a binge Ostrovsky – it is such a powerful drama of passion! A story with a samovar, a conversation with blowing tea – or a delusion or a tribute time. Well, of course, the play “The truth is – good, but happiness – it is better” to play well, but, as they say, if you do not fall asleep. I do not understand why it is so slow. This other rhythms that do not conform to our days. Today’s troubled times makes it impossible to get out on the shore, as if to catch his breath and look around the landscape. It makes all the time to escape.
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So your students so good sportsmanship … They have such cheerful.
Konstantin Raikin: But still very delicate. They worked more than others. I have them right oriented: I’m not going to heat your space, abstract learning, I prepare you specifically for the theater “Satyricon”, so you have to be the best. I tickle their vanity. He said: I want you to be the center of the theater, especially of his generation, and did not come to play along with other artists.
Aggressive situation for the company, has been around for many years …
Konstantin Raikin: This is actually a great incentive for it – all the time in the form. So already when it’s generation of today’s “stars” – granite Steklov Grisha Siyatvinda Denis Sukhanov later – Maxim Averin. They are a determined policy of the theater, immediately became the leading artists. This does not mean that I did earlier pushed. Just those that were before them the only felt the tone.
And the young, knowing that I was gaining course, worried: and you, too, it will be girls and boys who love you so? I said, sure. It is a family atmosphere, where they have little to fear adultery. No because nobody gave a vow of eternal fidelity. I know you can get tired of me, I am very stubborn, keep saying the same thing. The actor is sometimes necessary perezhenitsya – divorce, get another family to understand what this was good.
Externally, it seems that in the “Satyricon” actors to each other are just fine, despite the highest internal competition and the influx of “fresh blood”. You know special methods of management in theater?
Konstantin Raikin: Here is education. Share exhortations to be present, but only slightly. Sometimes I collect them. I can uproarious and even speak. They forgive me. I’m still in my first year warned that only the language of the theater such Kuchersky. In my heart, I can put a man on the spot, but I have never clipped their wings. I do not say that they are mediocre, only sorry that the man unworthy of his talent behaved. God looks at him, and ashamed that gave him a gift, and he was so drawn to him.
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I am sharp. But while everyone can see how much I’ll do and how I work with directors – so do me a comment at all, and abuse. This is a useful whipping. They need to know that everyone is equal before the stage. I did not work today – I’m too upset, even crying when they can. God knows how good sometimes bad actors play. However, then we need to understand, rewind plenochku and understand where the mess started. They need to know how it is ugly – the birth of the role. As it is sweaty, dirty and inartistic in the process. I do not like crowded rehearsal – this intimate, shameful, krovoharkayuschee case. I have no other way to exist. I believe it is impossible to do this without despair, without perenagruzok. If the process becomes beautiful – came death.
Your House has already passed a certain history. You made it for myself somehow formulate?
Konstantin Raikin: No, live like me anyhow. I conceptualize what is happening, but on the run. My intuition is. Signs puts: carefully turn the descent, the narrowing of the road … As long as I distinguish between them. I make mistakes, but not deadly. Sometimes late. But with the Shchukin School once I made the first false move. When I decided to recruit students came first in his native “pike.” I was phlegmatic responded: Oh, I see. Rather than grab for me, because I am an energetic, conscientious, can bring many benefits, I was offered to conduct a paid course. I was taken aback: how surcharge? I need talented, but not rich … and went to the Tabakov. Tabakov immediately responded. I have already agreed in Moscow Art Theater School to teach, when a call from the “Pike”: Konstantin Abramovich, we gathered teachers’ meeting and decided to give you a course. I answered, thank you, it is not necessary. It’s like a Brezhnev and sun: I’m sorry, I … in the West knows how to glue girls? Quite otherwise – should be warned beforehand that many applicants … Not such a girl and I, of course, but I remember how I Robert Sturua or Pyotr Fomenko invited to be the best of the applicants. It’s a process. We need to stand up very early, before the others, to come to Buenos Aires for half an hour and say, I’m here. And fly away. I figure it would deny you then …
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