Quentin Tarantino changed. I see it in frustration “disgusting eight”, which express some fans, as well as by the fact that the variation of my subjective attitude to this author.
He told me become interested in “Inglourious Basterds,” which I reviewed twice, getting increasing pleasure (most fans consider them to fail). Now delayed viewing of “eight” pre-bored at the prospect of again see the fountain of blood – but the first brilliant shots grabbed and did not let go. From movie Tarantino disappear what he lures fans – a child unconscious cynicism. Author wiser, he even admits in his films hidden morality. In other words, back to the fold of normal and naturalism with all the details (fountains of blood on the spot), – humanistic art, where there is to go through and something to think about.
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The standard in itself uninteresting storyline becomes unimportant – meaning action carry its details, rhythms, pauses, crushing Morricone music and a fantastic operator, three-time Oscar winner Robert Richardson. Izzhiv last time vzdryuchennosti calf and becoming meaningful talent gained significant support, ceased to amuse oneself samodemonstratsii and was only a means for the main – to tell people something that sees only a great artist. Parish of the film was preceded by cataclysms. Tarantino has threatened to leave the cinema after shooting its tenth paintings (by removing the time 16). Christoph Waltz turned down the role and was replaced by Kurt Russell. Carefully secret script was stolen and posted on the Internet. The film is referred to as “the Eighth Tarantino film,” although in fact was the seventeenth. Designation appeals to “8 1/2″ Fellini’s name – to the “Magnificent Seven” Sturges.
All the stresses and gaming sinefilsky nature of the enterprise. As you know, Tarantino spent his youth in videolavke where seen enough old movies from John Ford to the spaghetti western. I study their techniques – absorbed as the aura of the native landscape. All of his paintings – to some extent homage to the old tapes and variations on their themes and styles. In “Eight disgusting”, he brought the technique to perfection. His perfectionism has demanded even authentic instruments: old optics and 70-mm film format Ultra Panavision 70 process, it has not been used since the days of “Ben Hur”. What made the display of a picture in theaters, where relevant projectors is long gone. And, of course, this homage was time to video games, where pulyanie from every angle – a widespread business, and human figures – chips, they do not mind. This homage to the era of ever more complete fusion of society against crime. Times turned over capsizing, and that’s the same “nigger”, which in the old Westerns did not have a place, it becomes the most important character – a black Civil War hero and now a “bounty hunter” Marcus (Samuel Jackson). It carries through the snow on the penalty killer Daisy (zverkopodobnaya, unrecognizable beneath bruises Jennifer Jason Leigh – “Oscar” her “Oscar”!).
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Tarantino plays, turning out everything inside out, not only in old movies, and theater. The design is similar to a movie theater performances. It has an overture, a brilliantly-written by Ennio Morricone – it sounds on the background of the majestic expanse of Wyoming, specifying actions and rhythms of a century, and the tone of the growing threat. Action is closed in the space of one, in the conventional theatrical scenery and develop in real time. As in the old play, the fate of the hero pulls to the right place at the right hour, and dialogues are honed literary character. Characters – trapped in the snow, a nod to Agatha Christie. And since the action takes place after the war, in a shed modeled and “front line”.
More than an hour everything is based on the development of relations, humor, dialogue and happy anticipation of further – is spoken film, which before the first “action” still have to live. There is a breakdown on stage when the “closed curtain”, denoting the time jump will be replaced by “the scenery” would represent the new heroes. There are also “intermission” – after the affair reached its climax, and spilled the first blood. And once the hero of Jackson will try on the mask Hercule Poirot – go a little detective. Acting eccentric manner, both on the stage play “tasty”, enjoying and winking at the viewer (at some point I remembered hinge Rolan Bykov “Marriage Bal’zaminova”). And the heroes who have received the death wound, granted striking monologue to a crescendo ragged bullet.
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That’s all – the theater. And this is the perfect movie. Where else can you see a gunfight views, grimace, grin, reactions! What more profound give each character when hear the gnashing of gears in the brain! Where else can you find so artistically crafted soundtrack, even when the shuffling of hooves on the snow blizzard woven into a symphony and threats! The operator works wonders in an unusual format ultra-wide frame. The viewer is unlikely to notice how in the focus of the dialogue moves from character to character – but it creates tension, forms the visual drama of the scene. Through this technique we are so immersed in the dialogue, so catch the reaction of interlocutors, and those we are interested in the details of the replica.
The film is open to interpretation. To some it seems a wicked parody of American democracy, someone – burial service of humanity. But his strength in the absence of direct hints and allusions. Just this game perfectly reflected the cut of modern consciousness, capable even snow clean and sanctified by Christ himself to draw a landscape in a bloody mess. Shakespeare’s mountain of corpses and a dazzling finale to the letter Lincoln completed the tragedy of consciousness – and hence life. I think I have done without spoilers – they are here would be inexcusable.
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