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Image copyright RIA Novosti Image caption Legacy director – about 30 films, each of which became a hit film distribution, among them – “Garage” (1979)
died Eldar Ryazanov.
Not only in the history of the glorious Soviet cinema masters who used the same truly universal love of all the people – from the highbrow and picky aesthetes to the most ordinary people.
His films went on quote, it is no exaggeration to say, he expressed era.
In an interview with film critic Olga Sherwood leading “Fifth floor,” Alexander Kahn tries to cast a glance at the fate and career of the master and to understand what is the reason for such a phenomenal success of his paintings.
Download podcast show “Fifth floor” here.
Alexander Kahn: Good evening! The studio Bi-bi-si Alexander Kan. Today we are trying to remember the deceased yesterday Eldar Ryazanov. In fact, say some epithets at him very hard. Too familiar, beloved by all was this figure that, in fact, without exaggeration, the great master.
To talk about Eldar Ryazanov, we invited the air “Fifth Floor” Olga Sherwood. Permanent readers of the site BBC Russian Service Olga Sherwood represent not necessary. It is a long time we kinoblog, repeatedly participated in the “Fifth floor” and today managed to publish an obituary memory Eldar Ryazanov.
At the beginning of the conversation, I want to go back to the beginning of creativity Ryazanov. For all of his favorite movies – “Irony of Fate”, “Office Romance”, etc. – Takes a little bit in the direction of his life, the beginning of his career, and even the beginning of life. When today, in preparation for our joint transmission, I began to read, I found the facts that, to be honest, I did not know, although I really like Eldar Ryazanov, a lot of it read.
For example, I did not know that he comes from a family of very high-ranking Soviet elite. His father worked abroad in the trade mission, was, moreover, repressed. Ryazanov himself – this is just what I remembered – he studied with Eisenstein and Kozintsev. Undoubtedly, the great master, but neither one nor the other in the predilection for comedy were seen.
started Ryazanov in a pretty dark time. This is the beginning of the 50s, during the so-called “malokartinya” Stalin was still alive. “Carnival Night” came out only in 1956, the year of XX-th Congress. Probably, when the film was shot, it was difficult to assume that the country will be waiting for the thaw. All this – the repressed father a hard time teacher – giants monumental Kozintsev, and Eisenstein – does not seem to contribute to the emergence of comedy, and, nonetheless. Why do you think?
Olga Sherwood: You can write a thesis on the subject. Pretty hard, to me at least, to judge, because I was born a year after the release of “Carnival Night”. Maybe indecent to talk about himself “a child in 1956,” when people have been rehabilitated and returned from the camps, in particular, like my grandmother, who got an apartment, and then my parents were able to give birth to me. It was indeed scrapped ages.
I think it was a terrible thirst of people for liberation, some giant need to exhale and start, maybe to laugh. It is very difficult to say specifically because Eldar – I do not know his biography, I learned only when sat down to write this sad lyrics – never even said, although we have several times met him two or three times I took him interview met in a more relaxed atmosphere.
I do not know how it happened. I can only think that the master, as you have noted, Kozintsev, and Eisenstein, transferred skills. This skill has fallen on fertile ground, and the genre was not something that is secondary, but – different situation. I guess they do not teach in the comedy or tragedian, or even ekranizatora Shakespeare. Teach simply directing.
Note that Kozintsev, and Eisenstein were people, my favorite subject, graduated from Classical High School. They passed on, I think – a common culture, humanistic outlook, some things. They were received by Eldar, and then somehow he miraculously became comedians.
AK.: We are talking about Kozintsev, and Eisenstein both alumni of classical upper secondary school. However, Eldar Ryazanov has emerged as a playwright in the Soviet cinema does not just happen.
predecessor, probably the most prominent Soviet playwright, Grigory Alexandrov – associate and disciple of the same Eisenstein. You can here some continuity to follow?
O.SH.: The issue also film history. I think they are absolutely opposed. Grigory Alexandrov was a Mosfilmovsky Hollywood.
AK.: I think it may be recalled that Grigory Alexandrov – a “Volga-Volga”, “Jolly Fellows “,” Spring “,” The Circus “.
O.SH.: Eldar, of course, was totally different generation, post-war, liberated, who wanted to breathe completely different air, not only ideas. So he talked about people who just lived, made fun of them, which was, of course, not possible in the outlook Alexandrov, although there were also satirical, humorous things, but completely different, not lyrically.
AK.: There really was rather, humor, satire was not much. Although Riasanovsky ease, charm, musicality in a sense, in common with Alexandrov. But satire, which was already at Ryazanov, but did not have Alexandrov, the satire almost all Riasanovsky film is not rigid, not evil, but at the same time very clearly. Of course, she was very impressed by the audience. How do you think he has developed this style?
O.SH.: I do not know, I just think it was a smart man. Our reality in those years was little suited to an open and honest conversation, to say that does not fit at all. Somehow I had to speak out. What were the ways of humans? Satirical – one of them, hyperbole, metaphor, some more so.
It is understood that in the cinema it is possible to do just like this, bantering disadvantages. Socialist realism is still permitted in the range of “wick” and “Crocodile” to Riasanovsky things. It is this lyrical frontier and set. Still, it was possible. Power, of course, softened after the XX-th Congress. It is allowed as an outlet. It is trite to say, but maybe it is so.
AK.: problems with censorship it could not be avoided – the film “Nowhere Man” is not so well known compared to other popular Riasanovsky works. Maybe it makes sense to recall – there Sergei Jurassic starred appeared suddenly in Moscow almost a native of Africa, as far as I remember this movie. Still, the problems with the censors could not be avoided. It’s that – an exception, not a very important episode, do you think that this film has been shelved?
O.SH.: I think everything -taki was not quite the regiment, and were some fifteen copies of the third category, something like that. Subsequently it was still nagging censorship. In the painting “About the poor hussar say a word,” where Basilashvili played Count Merzlyaeva, he had to play the gendarme Merzlyaeva.
Ryazanov do this, as you know, was not allowed. But the great director had it not important. He could get around this so that people will still understand everything. Plus or minus, as they say, the general message is important and it is important that he spoke to his audience in the same language. We knew it, he felt that we understand, as if he did not have to turn out.
AK.: sometimes forget that the best movies Ryazanov, in Anyway, their scripts – is the fruit of collaboration with Emil Braginsky, his constant collaborator, whose name seems to inevitably goes into the shadows. I would like to hear your opinion about whether it is right, it goes into the shadows, because in all these brilliant conversations that went on quotations of the entire Soviet people, the merit of Bragin, no less?
It Ryazanov picked actors making films – it is, in any case, can not be understated. Still, the script, the text – base. Moreover, many of these films, there is not nothing but a cinematic transposition written with Bragin and Ryazanov plays. I want to see you a little bit about the Bragin said his role in Riasanovsky heritage.
O.SH.: I can not say specifically, they can not be divided. I was not present at how they worked. Two authors – it’s always a difficult moment. In the movie, of course, the author of the film – a director. Ryazanov himself was a witty man, which I was able to able to verify personally that I do admit that some of the phrases that have become aphorisms, he himself wrote, without underestimating, in any case, the role of the Bragin.
It is no accident so many years they have worked together. I think it’s hard to share. Writers go into the shadows, it is their fate. It’s nothing you can do. I remember, even when I worked on a film studio “Lenfilm” which were terrible scandals that uchinyali writers when it seemed that the director has perverted their plan.
Here, of course, this could not be. Ryazanov and Braginsky co-authors were real, and worked in the same way. But, basically, it is the fate of writers, nothing can be done, they can only remember the books, a collection of plays scripts and directors of the films people know, however, is not all. This good fortune geniuses like Eldar, his name is known. Firstly, because the comedian – that’s another story, and secondly, because it is well attended and a lot on TV, which adds to the popularity of him personally.
AK. : You and I well remember the great issues of the “Cinema”, which he led. This seems to be a completely different genre, and he showed himself quite amazing. It was an incredible storyteller, and at the same time proved to be a fair connoisseur of movies, right?
O.SH.: Of course, he was clever. It was a real connoisseur and cinema, and life, and a wise man. I met him when he was at the height of his fame. You could not say anything. You could sit there, mouth open, and listen. He has always been the soul of the company, and a great conversationalist sensitive, and very good person.
As a journalist, I am familiar with many directors. Not all of them, much less great, so well disposed, for example, journalists. Eldar, firstly, do not forget, secondly, always communicated, hello, ready to listen, if that, and answer all questions. He had a great handshake, a rare pleasant hand.
AK.: I wanted you to a little more settled on two films that have been made in a row – “Garage” and “About the poor hussar say a word”, which you mentioned. I remind you: “Garage” – 1979, “the Poor Hussar Say a Word” – 1980.
It seems to me that these two films, though it retained all Ryazanov for that we love him, and all his loved – easy, charming, sparkling humor, and in the film “About the poor hussar say the word” also songs that “Cars” not – stand out for the extraordinary rigidity Ryazanov satire.
He has reached the highest satirical glow in his works, in all that he did, so it seems to me, at least. I wonder whether you will agree with me with this assessment? The classic phrase of the “Garage”, such as: “In fairness to live, but does not go far,” or “I am for a car sold motherland” and so on. It had such a rigidity which was not before or after. What do you think, why at this time, in the midst of stagnant years?
O.SH.: You’re all explained. This is exactly what the date, because patience is over. We are fine with you remember those years. I had nowhere to go and could not breathe in the first place. Second, the “Garage” is different from “Hussar”, it is clear that our contemporaries will be shown.
Ryazanov turned his anger on his same audience. It was just a mirror, the most severe mirror, which he set in front of his audience, to its people. Many simply terrified then. This is an unprecedented picture with all the satirical spirit and the lines of previous pictures. All recognize yourself.
We have all read “Literary” with moralizing essays, there it was, and suddenly turned into a movie. It was absurd and exorbitant ultraboundary bitterness. In the “About the poor hussar,” as we have said, the story moved in the past. She also allegorical, because maybe after “Garage” Ryazanov banned and make a film about the present, I do not know.
AK.: Topics Yet, in her critique of modernity it was much more transparent. All these clues to read – at Merzlyaeva, huh?
O.SH.: But they were hints. And there still was a speech about the people and the high courts. In the “Cars” because there was a small party. It was clear that this cabal best man – a character Ryazanov, who is sleeping, do not participate in this desire to snatch that bad impact on our people and is manifested today.
Here we are for it and came that perfect, perhaps discouraged Ryazanov, who certainly did not expect. In one interview he said: “So what I did, what kind of movies if my audience so spoiled, so manifest themselves now?” This, I think, a huge disappointment for all humanist, humanistic artist.
AK.: You are now passed on to us his statement has the post-Soviet years. I give my suggestion, I do not know whether you will agree with me that he, as the spokesman of this most of the Soviet era, I dare say, in the post a few lost.
None from movies 90s, 2000s, has post-perestroika (“Cruel Romance” stands, in general, even during the Soviet and now starting with “Forgotten Melody for Flute” and so on until the last movie) , whether the time has changed, the time is definitely changed, whether he was really a bit lost at this time, I could not find the language.
Work with the “Aesopian language”, which was peculiar to him, as did everyone else then for him to maximally approach and opened suddenly free to do his films less bright . Or just gone public demand for this kind of movie, what do you think?
O.SH.: I think that all of these reasons you worked together. Plus remember what those were terrible years, say since the 90s. This was a systemic collapse of the entire film – technological, financial, human resources and everything else. This is our fate, even geniuses, in all these years had to go and ask for money. It’s exhausting, it’s humiliating, it was tough physically.
Then he was no longer a young man, and direction – it is primarily energy. She’s going away somewhere, apparently. With that, he certainly was not weak, but it is no longer young and not flowering. Everything changed rather quickly. At the same time, I think it was clear that nothing has changed in principle. Where to go, what happens to his character? It was all very difficult. Apparently, it gave such a result, the films of the last period were not, shall we say, brilliant.
Although the “Anderson” – underrated picture. For many years he wanted to take it off. I remember I was talking to him when he was collecting money on her. It was a terrible saga. If he could remove the “Anderson” ten years earlier, maybe it would have been a very different movie – harder, and he would have received a boost from the audience itself. I do not know, hard to say.
AK.: Now I want to play a very short clip from an interview with Eldar, he gave Seva Novgorodtseva, my colleague. It was in connection with the death of Antonioni. We’re not talking about Antonioni, we will talk about Ryazanov, but this short clip will lead us to this conversation.
Eldar Ryazanov: “I have always felt that it’s not mine, put it bluntly, you know? Although somewhere had everything exploded, flew some … in my opinion, “Zabrisski Point” because I parodied in the “Italians in Russia”. There, when I blew up a gas station, it was like a parody of Antonioni’s “.
AK.: I specifically wanted you to hear this clip for you to remember film “Unbelievable Adventures of Italians in Russia”. You wrote in his obituary, published today on our website, the producer Dino De Laurentiis in fact forced Ryazanov enter an infinite number of gags, tricks, including an exploding gas station and in fact turned Ryazanov to the cinema, for it is not characteristic.
He is a lyricist, he directed a subtle lyrical and not directed gags, unlike no less brilliant Leonid Gaidai.
Died Eldar Ryazanov, a brilliant director. It is, without exaggeration, a personal loss for millions of people in our country. No movies Eldar is difficult to imagine, and our cinema, and life itself.
Died Eldar Ryazanov, a brilliant director. It is, without exaggeration, a personal loss for millions of people in our country. No movies Eldar is difficult to imagine, and our cinema, and life itself.
A smart, ironic, infinitely talented. So were his movies. “Carnival Night,” “Beware of the Car,” “Cruel Romance”, “garage”, “Office Romance”, “Irony of Fate, or Enjoy Your Bath” – the painting characters who know and love several generations of viewers for a long time and permanently dismantled on the catch phrase.
The change of years, sunsets and sunrises, And the grace of love last, As the date of his departure, We should gratefully accept, It is necessary is grateful to accept …
He admitted that sometimes he did not know how to fold these verses. Honest, sincere and deep. And lying on the music directly from the screen, they got right on our hearts, and it was the worlds of space and Eldar Ryazanov.
Nostalgia – it means, inescapable longing. > When the heart weeps bitterly From any trifle. Nostalgia – like path, very kind
In the thread that is no longer possible to return No, not resurrect.
These poems he dedicated to all those who went before him. And tonight, just learning about the trouble, poet Yevgeny Yevtushenko equally shrill accurately expressed not only their pain, and our common.
Well, Eldar, no you, like something taken out of the nation, and only someone nomination full of not very much grieved.
But a Russian grieving nepokazushnaya, the budget, which you
of the offense so protected, all my heart sacrificing !
Each film Eldar Ryazanov certainly was a moment when he appeared on the screen. It was such a kind of game for the viewer – find favorite director, when he takes a cameo role.
Recognizing filmmakers face our viewers start with Ryazanov, with its “Kinopanoram” with its televecherov, where he invited his Friends of actors and directors – and it was the most sparkling and intelligent program of Soviet television.
“Everyone thinks that the director must be hard and strict. And he tried to do. He shouted, he loudly shouted. But The fact that in himself, in the nature of evil was not, so it looked funny. Then he apologized and asked for forgiveness. He went into every life, every human being, “- says the People’s Artist of the RSFSR Irina Kupchenko.
All of these phrases seem to have long constituted a separate encyclopedia of folk wisdom and jokes. And we have them, knowing by heart, do not even notice if we communicate with them on any special language polunamёkov, intonations and jokes, explaining everything in our lives.
“He formed a people, we are. In many ways, I started the movie, including after the “Beware of the car.” He even changed us. He changed the country, so this is the era “, – said the director Denis Evstigneev.
Eldar Ryazanov many times turned out to be a person who I am doing something “for the first time.” Before him, our country did not even have a name such as the Eldar. The very first was his camera carefully looked carefully, and made a star Lyudmila Gurchenko, Larissa Golubkina, Larissa Guzeeva, Leah Akhedzhakova, Svetlana Nemolyaeva, Andrew Myagkova.
“There are unforgettable people! Here Eldar Sanych unforgettable. Of course, the movie is, but such as it is – it is unique. The last time I saw him when he was an evening in his favorite club “Eldar”. He was very bad with his feet, and yet he rose, bowed to the audience. It says a lot – the courage, “- says the People’s Artist of the RSFSR Svetlana Nemolyaeva.
” It was a celebration – come to him to the shooting because he collected the fantastic artists. Now because wherever you spit all the great, famous, iconic, media, and he really brought tremendous artists. It is very sad, because after it was formed some abyss, which, I think, is no longer possible to fill, “- said the People’s Artist of Russia Igor Kostolevsky.
” And so it was in some ponchos. No ponchos and some plaid and motley cap on it. “Adi! Let’s go!” – It to us with Leah. We ran it up to his ankles together. Lots and lots of takes! People have watched, learned it. I did not see anything! He absolutely did not care for it! Very sad. I do not feel sad and desperate loneliness without him, “- said the People’s Artist of Russia Olga Volkova.
An unknown Pugacheva has sung his” I like that you are sick is not me. “And Tsvetaeva, Pasternak and Akhmadulina to Ryazanov we have in the movie has not yet sung. He created the whole cultural space in which the guitar played poets of the Silver Age and the sixties, listened Andrey Petrov and Tariverdiyeva, celebrated the New Year under the “irony” and even told anecdotes about the “lieutenant Rzhev “.
” In addition to his paintings of humor always fought some civil nerve. Painting “Beware of the Car” at the time – very brave. And at the expense of humor was her salvation! How long we will remember Eldar good word! That’s because he kept us in its orbit for more than 50 years “- said the People’s Artist of Russia Vladimir Menshov.
The famous actresses he forced to play without make-up and calling them” old horse “. But by They became even more beautiful. Following the great Russian literature, he sang a little man with a huge heart and a right Yuri Detochkin, Zhenya Lukashin and fellow Novoseltseva to true happiness.
“I was prepared for it, I knew that He is in the hospital, that he is very ill. But, thank God, that he was not 18 or 20, it lived up to that age. He was not sharp. He never shouted, as I recall. For me, it was a sweet, kind, good man, “- said the actress Barbara Brylska.
And he also showed the shortest way to this happiness – through the New Year’s Eve, so much so that in three decades the fate invented them with Emil Braginsky heroes excited spectators and required to continue.
For the first time in world cinema, he became a director, who after 50 years decided to remove a remake of his own paintings, she became “Carnival Night 2″.
Compare care Ryazanov is possible only with the way Denmark once lost Andersen. And he was our family Andersen. storytellers who came up with all of our memories – sad and funny, bitter and sweet – about life, which no longer exists and of which we can be so sad.
“These two years that we are with him side by side spent taking a picture” Andersen. Life Without Love “… Eldar, despite the years, was an example to all. Sometimes limp at all young people of any profession creative and Eldar has always shown how to act, how to suffer, how to live and work “, – says People’s Artist of the Russian Federation Sergey Migitsko.
He could so subtly ironic of himself and openly laugh in the face of fools, hypocrites and seemingly commonplace absurdities of life that does not love a movie by Eldar Ryazanov was not possible. As it is impossible to imagine New Year without the incredible love story. As it is impossible to think that nature can be bad weather . As today is unthinkable to believe that he was gone – the man who created his own universe is not even in the movies – in our hearts.
Where are my first tracks? Has brought the initial road, sweep up the rest of a little Grace responsive destiny. Lord, thank you for help …
expressed condolences to the wife of director Vladimir Putin. In a telegram to the president said – movies Ryazanov It became a national treasure, a part of the history of the country.
will be buried by Eldar Ryazanov, on December 3rd at the Novodevichy cemetery.
Alex Zotov
Management Information Programs
Reporter plots Total: 547
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He died director Eldar Ryazanov, who loves movies and knows the whole country
He died director Eldar Ryazanov, who loves movies and knows the whole country
He died director Eldar Ryazanov, who loves movies and knows the whole country
He died director Eldar Ryazanov, who loves movies and knows the whole country
On the shooting of the series Sergey Ursulyak Ministry of Culture has allocated 78 mln., reported the press service of the department. The premiere took place at the serial movie channel “Russia 1″ on Sunday, November 29th. Out of the series is dedicated to the 110th anniversary of the birth of writer Mikhail Sholokhov.
«I believe that the Ministry of Culture and TV channel” Russia “made a great deal that funded the project. Because in any case, what is so hotly debated “Quiet Flows the Don” Sholokhov – testifies to its relevance. We must understand that the story, which occurred when the country could happen to us at any time “, – said Deputy Prime Minister Sergei Ursulyak. He also shared the hope that the series will attract the attention of young people.
The main roles are played by an actor of the Theatre of Nations Yevgeny Tkachuk (Gregory Melekhov) and a graduate of the Shchukin Drama School Polina Chernyshov (Aksinya).
«Quiet Flows the Don” by Mikhail Sholokhov withstood three film adaptation: in 1930 was made a silent film (directors – Transfiguration Olga and Ivan rights) in 1958, he presented his version of Sergei Gerasimov, and in 1992, “Quiet Flows the Don Bondarchuk filmed. The film became the last work Bondarchuk.
film director whose works are considered classics, cheerful companion, a wise man, an astute artist – did not Eldar Ryazanov. Condolences to the wife of director Vladimir Putin expressed.
film director whose works are considered classics, cheerful companion, a wise man, an astute artist – did not Eldar Ryazanov. Condolences to the wife of director Vladimir Putin expressed.
In a telegram to the president said: Eldar had a great, generous talent, enormous creative energy. His films have become a national treasure, part of the history of the country.
The popularity Ryazanov was colossal, painting immediately became movie hits – his films are loved by millions, and a replica of heroes knows by heart, as well as poems. Without moving lines written Ryazanov seems to have been impossible on-screen stories that have become eternal.
The change of years, sunsets and sunrises, And the grace of love last, As the date of his departure, We should gratefully accept, We should gratefully accept .. .
He admitted that sometimes he did not know how to fold these verses, honest, sincere and profound. And lying on the music sounding from the screen and getting exactly into our hearts, they were not just songs, and images, entire worlds and space Eldar Ryazanov. Simple and clear before the revelation to heartache.
Nostalgia – it means, inescapable longing. When the heart weeps bitterly From any trifle. Nostalgia – as the track, very sensitive
In the thread that is no longer possible to return No, not resurrect.
Each film Eldar Ryazanov certainly was a moment when he appeared on the screen. It was a kind of game for the viewer – find favorite director, when he takes a cameo role. Meanwhile, recognizing filmmakers face our viewers start with Ryazanov, with its “Kinopanoram” with his body evenings, where he invited his friends, actors and directors, and it was the most sparkling and intelligent program of Soviet television.
“Everyone thinks that the director must be hard and strict. And he tried to do. He shouted, he loudly shouted. But the fact is that in himself, in the nature of evil was not, so it looked funny. Then he apologized and asked for forgiveness … He went into every life, every human being. It has become more than a director in our lives, “- says the actress Irina Kupchenko.
However, during his long life in art Eldar Ryazanov many times turned out to be someone who did something for the first time. Before Eldar in our country did not even have a name such as the Eldar. The very first was his camera carefully looked closely and make a star Lyudmila Gurchenko, Larissa Golubkina, Larissa Guzeeva, Leah Akhedzhakova, Svetlana Nemolyaeva, Andrew Myagkova.
“The teacher, friend, a brilliant senior colleague … Today I lost one in three persons. These two years that we are with him side by side spent taking a picture” Andersen. Life Without Love “… Eldar, despite the years, has been an example to all. Sometimes limp at all young people of any profession creative and Eldar has always shown how to act, how to suffer, how to live and work”, – says the actor Sergei Migitsko.
No one knows Pugacheva has sung his “I like that you’re sick is not me.” Moreover, Tsvetaeva, as Pasternak and Akhmadulina to Ryazanov we have in the movie has not yet sung. He created the whole cultural space in which the guitar played poets of the Silver Age and the sixties, listened Andrey Petrov and Tariverdiyeva, celebrated the New Year under the “irony” and even told jokes about the lieutenant Rzhev. He made a famous actress to play without make-up and calling them “old horse”. But they are becoming even more beautiful.
Following the great Russian literature, he sang a little man with a huge heart and a right Yuri Detochkin, Zhenya Lukashin and fellow Novoseltseva to true happiness.
And he also showed the shortest way to this happiness – through the New Year’s Eve, so much so that in three decades the fate invented them, along with Emil Braginsky heroes continue to excite audiences and demanded to continue.
For the first time in world cinema, he became a director, who after 50 years decided to remove a remake of his own picture – it was the “Carnival Night 2″. In this film Eldar with his wife Emma sang a song on their own verses.
“There are unforgettable people! Here Eldar Sanych unforgettable. Of course, the movie will be, but such as it is – it is unique. The last time I saw it when it was evening in his favorite club “Eldar”. He was very bad with his feet, and yet he rose, bowed to the audience. It says a lot – about courage, “- says the actress Svetlana Nemolyaeva.
He could so subtly sneer at him and openly laugh in the face of fools, hypocrites and seemingly commonplace absurdities of life that does not love a movie by Eldar Ryazanov it was impossible. As it is impossible to imagine New Year without the incredible story of love, as it is impossible to think that nature can be bad weather, as it is today impossible to believe that he was gone – the man who created his own universe is not even in the movies – in our hearts …
Where are my first tracks? Has brought the initial road, sweep up the rest of
Grace gradually responsive destiny. Lord, thank you for help …
In the morning in Moscow, people go the Club “Eldar” on Leninsky Prospekt, to bring flowers, candles and notes – they are left at the entrance to the lobby of a large portrait of the master. Cinema was opened on the initiative of Eldar Ryazanov and became a platform for the support and development of comedy and musical films. There, on the Lenin, is expected to take place the farewell ceremony with the director. According to preliminary information, the civil funeral will take place on December 2.
Today, the program of the First Channel has changed. Immediately after the evening news will be aired documentary “Eldar Ryazanov. My soul no rest.” Memory director will focus on today’s program “Let them talk.”
Alex Zotov
Management Information Programs
Total Correspondent stories 545
Photo
He died director Eldar Ryazanov, who loves movies and knows the whole country
He died director Eldar Ryazanov, films which loves and knows the whole country
He died director Eldar Ryazanov, who loves movies and knows the whole country
He died director Eldar Ryazanov, who loves movies and knows the whole country
He died director Eldar Ryazanov, who loves movies and knows the whole country
Almost half a century stuck behind him the unofficial title of “chief playwright of Russia.” But it really took off comedy? Yes and no. In each of his bands – interweaving funny and sad, funny and sad. No wonder the director said: “I’ve never tried to make a comedy funny. I tried to make it true. And if this still gets funny, then that’s great”.
Eldar Ryazanov started out as a documentary filmmaker, and very successfully: shot their species newsreel about Sakhalin even received the prize in 1955 at the Cannes Film Festival. But fate had intended it another way in the film. His first comedy – Christmas “Carnival Night” – created a furor. Such festive, beautiful and at the same time pressing the paintings at that time in the Soviet Union was not. The viewer’s attention was intently focused on the perky girl, Lena, whose role is brilliantly performed Lyudmila Gurchenko. So Eldar Ryazanov opened his first star. Celebrity instantly becomes virtually all the artists, who starred at Ryazanov and director differed surprising constancy, inviting favorite artists in following his tapes.
Ryazanov was, incidentally, one of the pioneers of “administration” in Soviet cinema famous international actresses. He entrusted, for example, polka Barbara Brylska a major role in his most popular film “Irony of Fate, or Enjoy Your Bath!” For nearly 40 years (the film was released January 1, 1976), this tape is living with us.
Almost all the paintings Ryazanov – original documents of the era, they felt the pulse of real-time, real life. And yet – a critical look at the reality, irony and at the same time condescension towards human weaknesses. Perhaps that is why the director was a favorite genre of tragicomedy and “urban fairy tale.” Once the director, as if to give himself an assessment, he said:
“No one my film, I do not blush. It can be more successful, less successful, a” hit at the time, “the other is not. In practice, all – my children. They are conceived in love, I love them, but they have a different fate. Some, like “The Irony of Fate,” “Beware of the Car”, “Carnival Night”, “Office Romance”, “A Cruel Romance” – they just super-fate. Others, in my view, not worse, but they “did not work” for several reasons. Anyway, they – the children love “.
Talents Eldar Ryazanov would be enough for ten. The famous director was held as a writer, poet, playwright, screenwriter, actor and TV presenter. For a series of television programs on the life of French movie stars, he was awarded the highest state award of France – the Legion of Honor. Eldar Ryazanov – winner of international festivals in Madrid, New Delhi, Brussels, and the list of national awards would turn the head of anyone, but not to him. Popularity does not interfere with Eldar Ryazanov be easy to communicate in a natural, modest. It seems incredible, but even in adulthood, it felt kind of childlike and poetic soul. It is common knowledge that all life Eldar Ryazanov wrote poetry. Poetry and music are filled with almost all of his films. Moreover, many of them sounding songs on poems written by the director himself, which is, at times, neither composers nor the spectators did not guess at first. Because music was born and one of the last master tapes – “Andersen. Life without love.” This is not a film adaptation of the works of Danish storyteller and filmmaker reflections of the artist in general, there is no doubt the motives of their own destiny director. Perhaps the most “personal” movie Ryazanov, who seemed to check the ability of the audience to be sensitive and responsive. Well, about the Ryazanov was also filmed, it’s called “Music of Life”.
A little limp, this man with a simple and kind person walking under an umbrella on the avenue of his cottage garden to us, the viewers, to finally , tell about themselves and read their best poems …
Human Planet. With a powerful, irresistible attraction. With its special atmosphere in which we are immersed to gulp oxygen breath, bring razdergannye feelings in order to return the soul of harmony, and the visible world – the normal hierarchy of human values.
He warmed us. Very generous – even wonder how he missed all the heat. People often answered him ingratitude: critics attacked him for any failure like a happy moment waiting for a bite. And willing to forget about how much happiness we all managed to give this big, fat, seemingly good-natured, really irreconcilable to any falsehood and well knows how it Drop person.
He brought us to his world, his Pandora , its planet-dream, where the ideal is not drowned, as always, over the horizon, and became the absolute reference point, the current moral beacon. Where is the justice was restored at least virtually. Where is the evil ridiculed crawls to lick their wounds and at the time to leave us alone. Where spiritual beauty demonstrated its indisputable value.
development of the theme
Movie Ryazanov could change the world – but it has changed us. Conscience bother: we live something without thinking … called for decisive action: do not be afraid to throw everything on the map and change your life! It instills confidence in the intrinsic value of every moment of life: There is no bad weather! It has a healing effect, and we are irresistibly drawn again and again to look his best films – not just to have fun and get away, but tidy soul.
From the point of view of the so-called auteur cinema, this movie does nemudrenyh. Everyday stories – funny, sad, something is always very close. In each there is always a hidden spring, energy is strongly pushing forward all the action clearly palpable yearning for the good outcome (no sweetness) and fair (without the mentoring). Pile of parabolas, metaphors and symbols, meaningful perspectives and dogmatic shocks cameras in them was not at all. They were open to greet us and offered themselves to decipher, like a rebus for slackers. These categorically “nefestivalnye” movies are not dumbfounded gourmet special rhythm, not lulled retardation, not abused meaningful silence, and did not offer to think about her every contemplating all the dead in the frame the landscape. This movie basically do not take into kinokonkursy. But it is easy to win in the most important, the most honorable competition – for the viewer.
However, it will not compete with anything and anyone, and certainly something which Eldar Ryazanov was stripped completely – a bustling ambition , pride of the rider, which does not come first – the collapse of all life. He and so effortlessly come first – his “Carnival Night”, “Irony of Fate”, “Office Romance”, “Garage” broken all records shows on television: if we lived under the motto “Not a day without Ryazanov”. And it did not bother ever. Engages the eye of the favorite scene there, in the flickering television screen – and could not break away from that for a long time and knew by heart. So you can never get bored with a spring of pure water – it simply we need, and that’s it. Its sturdy murmur, his coolness, his purity.
The genius no one competes. He is such a one, not compare with anyone. His height available to him alone. Someone tried to repeat his paintings – “remakes” failed, just shading the gap between the Titans and the pygmies.
If Eldar Ryazanov made only his movies list that is meaningless – they are on everyone’s lips as folklore, – he would have become immortal in our memories. But he managed to enter the space of each life some mind the reliability of its action items, and values. With it you can check your actions, thoughts, solutions. And in this sense he did, of course, totally “copyright” movie – a movie as an emanation of a unique, wise and uniquely gifted person.
The man once and for all, has won universal trust. It is not just respected – he was loved. It was “his.” His films – comedy, unpretentious, song, light perception – were perceived as his statement, his weighty judgment, which did not dare to challenge anyone: Ryazanov was the ultimate truth. It has been for millions of moral authority. About how it happened, write the study. And yet, few people bother to think about the secrets of irresistibility Riasanovsky art. Although by acquiring these mysteries of the very existence of our cinema, in front of losing viewers. After all, Ryazanov has managed for the long life of their only multiply, and still no one competing, easily survived a match with “Shrek” and “Avatar”.
See also
He was a man of natural as nature itself. He says what he thinks. Did he considered necessary. To no one bend, he bustled not be diplomatic, not metal beads. Friends chose himself, and never made a mistake in their fidelity. The student youth, he was lucky to communicate with individuals large, minds sharp talent unique – Eisenstein, Yutkevich, Romm, Kozintsev, in his VGIK then easily people were walking legend, master of classics, their very presence to sharpen the mind and fostered loyalty to the principles and resistance shock. And when after decades in the walls of the Union of Cinematographers sparked tough battles – debate about the ideas of living and dead, sheer war for the preservation of the former creative fraternity – Ryazanov was one of the first and the main fighters. And when the Brotherhood still broken up, he just walked away in disgust from the fact that until recently it was a single cinema and now disintegrated into small fiefdoms. Man is fundamentally different scale, it is this bunch of little, just do not fit. I do not tolerate fuss ambition and ambition. Stay away.
Ryazanov was always crowded, it was always a lot and it has always lacked. He managed to become an idol not only in the movies. His television cycles – from the “Cinema” to the “mysteries of Paris” – a certain amount of work is difficult to be represented. There were in the course of his truly encyclopedic knowledge, accumulated since the time of the impoverished student youth, when all scholarship was on the books, but the books to swallow in one gulp and lay in a bottomless memory, always ready to be put into operation incontestable arguments and always relevant facts. Having started out as a documentary filmmaker, Ryazanov is now shone like a fantastically erudite interviewer and left us such comprehensive television portraits of French cinema workers, some may not have France itself.
He wrote poetry, and his catch phrase, too scattered Lighting as folklore, became songs, entered the popular wisdom. He could not work and always worked – even seriously ill never lost passion eternal creator and inventor. For our movie was going hard time when the director required not so much the art of making movies, as the ability to earn money for him. But even in these conditions, Ryazanov has managed to complete the long-planned his poetic and philosophical film about Andersen, and then, at the time had a complete lack of money, took off for television poetry collection of his poems – read them as a testament. With some difficulty, but always came in he created club “Eldar”, participated in the creative evenings – tried to be with the people, for which he lived and worked.
His films will remain with us, and the generations that will come after us. But their laughter, which before was not carefree, now always painted sadness. So we are moving away from the Titans.
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On the night of November 30 in a Moscow hospital on the 89 th year of life died People’s Artist of the USSR Eldar Ryazanov.
The director left behind 30 films, each of which became the hit of the Soviet and Russian film.
Many pictures Ryazanov went on quotes his films made over 40 years ago, still looks the same breath, and we can confidently assert that No audience in Russia, who did not know the name of the director.
The very Ryazanov spoke about himself modestly: “I myself have never felt classic – no movies, no literature,” – said the People’s Artist of the USSR.
Image copyright RIA Novosti Image caption Scene from “Carnival Night”
Musical comedy “Carnival Night” , released in wide release in 1956, is considered to be the first feature film by Eldar Ryazanov.
In spite of the skepticism of the artistic council, who called the director filmed a rough material ‘boring and untalented “, the picture was incredible at that time success with the audience: it has sold over 48 million tickets. The young actress Lyudmila Gurchenko, who performed in “Carnival Night” co-star, according to critics, suddenly became a star.
Image copyright RIA Novosti Image caption Scene from “Hussar Ballad”
The movie “Hussar Ballad” , one of the protagonists of which was known popularly lieutenant Rzhev (the role of Yuri Yakovlev), shot to the 150 th anniversary of the Battle of Borodino, and its premiere took place in Moscow cinema “Russia” September 7, 1962.
On the role of Shura Azarov, which brilliantly played by Larisa Golubkina (it was her debut in the movie), tried and Svetlana Nemolyaeva and Alisa Freundlich.
Image copyright RIA Novosti Image caption Scene from” Beware of the Car “
In 1966, the audience was presented a lyrical comedy Eldar Ryazanov ” Beware of the Car “, which he took on the story Emil Braginsky.
According to the memoirs of the director, the story was based on the popular in those years the legend of the “people’s Robin Hood” who hijacked and sold cars “plunderers of socialist property” and the money is transferred to the children’s home.
As it turned out later Ryazanov and Braginsky, the story of a noble kidnapper was completely fictional.
“This type of raised hands on the most sacred thing we have – the Constitution!” – He says one of the characters in the film.
Image copyright RIA Novosti Image caption Filming “Unbelievable Adventures of Italians in Russia”
In the Italian version comedy “Unbelievable Adventures of Italians in Russia” Discontinued in 1973 Eldar Ryazanov and Franco Prosperi, called “A crazy, crazy, crazy race in Russia” – Una matta, matta, matta corsa in Rusia.
It is said that producer Dino de Laurentiis, initially familiarized with a script written by the duo Ryazanov-Bragin, announced its complete nonsense that Italian viewers watch will not.
At the request of de Laurentiis Ryazanov rewrote the script, turning it into a film-chase with a variety of stunts and scenes with a live lion.
Ryazanov loved to play in his paintings bit parts. The “incredible adventure”, he appeared in the film in the form of doctors on the wing of the aircraft, which beat the ice with icy mafia.
The dialogue from the film:
– What do you not know that I am Russian by birth – Yes?
– What, is it not much?
– Very much! You have a beautiful Ukrainian accent!
Image copyright RIA Novosti Image caption On the set of “The Irony of Fate, or Enjoy Your Bath!”
“The Irony of Fate, or Enjoy Your Bath” (1975) is still considered one of the most popular Soviet films traditionally demonstrated on Russian TV New Year.
The film is based on the play “Enjoy Your Bath! or One New Year’s Eve”, which was written in 1969 and by the time the pattern in the rental was in various theaters.
will play a major role Polish actress Barbara Brylska dubbed Valentine Talyzina, but her name is not in the credits, as well as indications that the songs of heroes and Brylska Myagkova performed Alla Pugacheva and Sergey Nikitin. Eldar Ryazanov himself starred in a passenger on the plane, which constantly falls Lukashin sleep.
The dialogue from the film:
– No, I’m serious. We have an opinion particularly difficult. And suddenly it is wrong? Mistakes are costly medical people. – Yes … Errors are less noticeable teachers, but in the end they cost the people no less expensive.
The movie “Office Romance” , released in 1977, was the adaptation of the play “Colleagues,” written in 1971 by Eldar Ryazanov and Emil Braginsky.
The words of the famous song “There is no bad weather “to the music by Andrei Petrov were written by Ryazanov.
During the filming of” Office Romance “songs played himself Andrei soft (in the” irony “of him singing Sergei Nikitin).
” If there were no statistics, we would not even aware of how well we work “, – says the film’s protagonist, Anatoly Efremovich Novosel.
Image copyright RIA Novosti Image caption Scene from “Garage”
In the film “Garage” (1979), based on real events, Ryazanov did not change myself and re-appeared in a cameo role. Hero Ryazanov – Head of insects, who slept all the assembly of the cooperative, leaning on a stuffed hippopotamus.
“Garage”, released in rent in 1979, tells the story of a meeting of the garage co-op, where you need to decide which one of those present deprive the garage. The action takes place in the USSR in the late 1970s in the fictional SRI “protection of animals against the environment”.
Quotes from the film:
– crane was paid the premium, which is carried out strictly according to estimates as pay day watchman. Day watchman was paid strictly according to the estimate as laying asphalt, and asphalt work were paid strictly according to the estimate, as the greening works.
– What do you do, aspirantochka? Crane studied the silver, and he, among other things, nests abroad … This pie in the sky – do not our bird.
– Silver Crane – Bird dark. She does not read newspapers and so has no idea our or she capitalist.
Image copyright RIA Novosti Image caption Scene from “Station for Two”
The main roles in the film “Station for Two” played Basilashvili Oleg and Lyudmila Gurchenko.
The painting took part in the official competition program of the Cannes Film Festival in 1983.
Image copyright RIA Novosti Image caption Scene from “Cruel Romance”
“A Cruel Romance” removed in 1984 based on the play by Alexander Ostrovaskgo “Bride.” For the role of Larisa Larisa Guzeeva Ogudalovoy became film debut.
Image copyright RIA Novosti Image caption Scene from “Forgotten Melody for Flute”
“Forgotten Melody for Flute” , published in 1987, lifted by the play “Immoral Tales” which Ryazanov wrote with Braginsky. Starring Leonid Filatov, Tatyana and Irina Kupchenko Dogileva starring.
The dialogue from the film:
– Ham me, sorry, no. What are you seduced me more?
– Caviar.
– Oh, caviar is just! Squash!
Image copyright RIA Novosti
“I believe that a man must be himself always do what he sees fit . Many times I was a fashion out of it, but never did anything to be trendy. Sometimes I was fashionable, sometimes was not fashionable then again became fashionable. Each person must express himself, if he is, what express “.
” For myself, I can say one thing – I always did these movies that I, as a viewer, I would like to see. When I saw this picture, made by others, I have always regretted that it was not I put it, “- he said Ryazanov few years ago, answering questions from readers bbcrussian.com.
MOSCOW – RIA Novosti. Classic kinematografa- Soviet and Russian film director, screenwriter, People’s Artist of USSR, Eldar Ryazanov, the author of the popular comedy “Irony of Fate” Carnival Night “,” Office Romance “, died in Moscow’s 89-year life, told RIA Novosti on Monday, his grandson Dmitry Troyanovskiy.
Ryazanov was born November 18, 1927 in the city of Kuibyshev (now Samara) in the family of employees of the Soviet trade mission in Tehran, Alexander and Sophia Ryazanov. Shortly after his birth the family moved to Moscow.
The writer and sailor
The future director and writer since childhood loved to read, and in the eighth grade, he had no doubt that is bound to become a writer.
“The writer must know the life – that I learned fast. And I did not know it. My being the then no interest – so I believed in that war, the time … If we write something about the strong character of exotic faraway countries of the all-time adventures, great passions, I thought. And he came to the conclusion that before the master writer’s case, I have to pick myself a profession that would give the opportunity to learn life “- wrote in his memoirs Ryazanov.
your favorite books young Ryazanov was a novel by Jack London “Martin Eden” and the future director decides to do after school in Odessa Nautical School, he was even a letter to go there, but the response in wartime did not receive.
Study VGIK
After the ten-year external student, 17 – year-old Ryazanov learns from his friend about the existence of the Institute of Cinematography and instantly make a decision. The workshop Grigory Kozintsev Ryazanov went on the first attempt, becoming the youngest student at the Institute of Cinematography on the course.
“I had to take immediately the rapid run-up in order to catch up with their classmates, people, adults who had the experience of life – some of them came from the front. My youth, inexperience, lack of views on art were both advantages and disadvantages. Dignity, perhaps, was the fact that I represented, in fact, the soft clay from which you can sculpt anything. I was open to any knowledge, attitudes and theories that would want to invest in me, Master, “- wrote Ryazanov.
In 1950 Eldar Ryazanov graduated from the Film Institute, defended his documentary film” They learn in Moscow “with classmate Olga Fomina. Young directors received a diploma with honors. After studying for 5 years Ryazanov worked for the Central Documentary Film Studio.
“The daily work on the newsreels and news releases pushed to the stereotyped thinking. I felt that loses its freshness glance, start thinking stamps. I realized it is necessary to go into the feature film “- recalled the director a” documentary “period.
The most” boring “film
In 1955 Ryazanov came to the studio” Mosfilm “. The first musical comedy” Carnival Night “with Lyudmila Gurchenko and Igor Ilyinsky in the lead roles. Ryazanov took off with the filing of the then head of the “Mosfilm”, an outstanding director Ivan Pyreva. Sam Ryazanov, he admitted, “had no desire to shoot a musical comedy”.
In the role Ogurtsova Ryazanov was initially seen the actor Peter Konstantinov. On candidacy Elias insisted again Ivan Pyryev. As recalled director, artistic council headed by director Sergei Yutkevich looked rough material considered coming comedy “gray, boring, worthless and hopeless”.
“I did not think about success, about festivals and reviews, I only dreamed about, that I am not driven to work and gave ever put another picture. I was not up to the ambition. In front of me was only one task – to survive, “- wrote Ryazanov.
The comedy was released December 29, 1956. Resounding success of the All-Union” Carnival Night “- the film has sold 48.6 million tickets – overnight made a star performer starring Lyudmila Gurchenko.
Comedy “survived”, “experienced”, and that’s the same for more than half a century, “very much alive” – constantly gather multimillion audience of the former USSR, and the song “Five Minutes” actually became the anthem of the New Year.
In the next few years Ryazanov takes comedy classics of Soviet cinema: “Girl with no address” (1957), “Nowhere Man” (1961), “Hussar Ballad” (1962) “Give plaintive book” (1964), “Beware of the Car” (1966)
Detochkin – a hero for life
comedy “Beware of the Car”, which is considered by critics the best in the work of Ryazanov, the director shot on the novel by Emil Braginsky, published in the journal “The Young Guard in 1964. Over the screenplay Ryazanov Braginsky and worked together. Their duet was formed for many years, which resulted in the best Soviet comedy of the 70s: “Zigzag of Luck” (1969), “Old men-robbers” (1971), “The Irony of Fate, or Enjoy Your Bath” (1975), “Call Romance “(1977),” Garage “(1979).
In the role of the main character, Yuri Ryazanov Detochkin saw Yuri Nikulin, but that could not be removed. An Innocent Smoktunovsky candidacy, but the actor was too busy filming in Leningrad. Ryazanov was willing to wait, but after the shooting Smoktunovskij ill from overwork, and finally turned down the role. On the role of the director tried Detochkin Kuravleva Leonid and Oleg Yefremov. Efremov as a result of the investigator played Podberezovikova. After all, Ryazanov was able to persuade Smoktunovsky taking with him a receipt.
“It was an unprecedented event – the director took the actor a receipt that he will be shot! So far the archive in a folder of the film” Beware of the Car ” with orders, estimates and calendar plan is a receipt, which states: “I, Innocent Smoktunovskij, undertake no later than August 20 to come to Moscow and start shooting as Detochkin in the film” Beware of the Car “- recalls the director.
Perseverance Ryazanov justified. The film “Beware of the Car” became a cult, and the role Detochkin along with Hamlet – one of the best in the actor’s biography Smoktunovsky. Protagonist “Beware of the Car” immortalized in the homeland Ryazanov, 2012 in Samara to the 85th anniversary of the director was a monument hijacker altruistic. In recognition of Ryazanov, his hero – Detochkin, “an honest, noble, he should help the poor, the oppressed to stand guard.” About him he makes movies all my life.
The Adventures spree doctor
By shooting a Christmas comedy “Irony of Fate …” Ryazanov began in 1974.
“State Committee for Cinematography, and “Mosfilm” did not want to run a comedy in the production of any one series, not even as a short film “- recalled Ryazanov. But the director did not want to reduce the dialogue of the play, which he wrote in collaboration with Braginsky, in order not to facilitate the development of relations between the characters. It became clear that the film should be a two-part, but to “make a two-part film about the amorous adventures of Dr. spree – but who cares?” Do not allow. Then Ryazanov had the idea to make the film a television. And the director was right to have his own.
The film received the State Prize of the USSR, became the most popular in the history of Soviet and Russian cinema. Zhenya Lukashin and Nadia by Andrew Myagkova and Polish actress Barbara Brylska so liked by the audience, which for 40 years without them does not do any New Year’s feast in the entire Soviet and post-Soviet space.
From “mymra” to ” old horse “
In the period from mid-70s to early 80s Ryazanov removes the” Office Romance “with Andrei Myagkov and Alisa Freundlich, starring,” garage “,” Station for Two “,” Unbelievable Adventures of Italians in Russia “,” About the poor hussar say a word. ” Comedy creative tandem Ryazanov-Bragin consistently beat all records at the box office and the cost of quotes: “How disgusting it is your fish in aspic”, “Oh, cushy went”, “Scratch my back”, “The gait is free, from the hip,” “Think, how swell! “.
Directing Ryazanov successfully combines the work of a leading TV program” Cinema “(1979-1985). In addition, on television, they were created more than 200 original programs.
In 1980-1990 Ryazanov making films “Cruel Romance”, based on the play by Alexander Ostrovsky “Bride,” “The Forgotten Tune for the Flute, “” Dear Elena, “” Promised Heaven “,” prediction “,” Hello, Fools, “” old horse “,” Still Waters “. “Still Waters” was the last film, created in collaboration with Ryazanov Braginsky, in 1998, the playwright died.
In 2002 Eldar Ryazanov to become president of the Russian Academy of Cinematographic Arts “Nika”. This post he held until 2007. In 2005, the director opened a film club “Eldar” – “the center of the domestic comedy” by definition of Ryazanov. In parallel, Ryazanov continues to make films. During this period, out comedy “Bedroom Key” on same farce Georges Feydeau, the biographical film “Andersen. Life Without Love” and “Carnival Night 2, or fifty years”.
The film-musical dedicated 50th anniversary of the film for the first time would be shown on television in New Year’s Eve 2007, just after the original 1956 and sure to view “Twist of Fate …”
Awards and titles
For outstanding cinematographic merits Eldar Ryazanov was awarded two Orders of Red Banner of Labor (1969, 1977), the USSR State Prize (1977), the State Prize of the RSFSR behalf of the Vasilyev brothers (1979), the Order of “Friendship of Peoples”, the Order “For Services to the Fatherland” II and III degrees (1996, 2008), the French Legion of Honor and the Order of Arts and Letters.
On the death Ryazanov said in a Facebook is working with him Irena Lesnevskaya.
For information about the death of Ryazanov Tass news agency confirmed the director’s family. Source of “Interfax” agency reported, citing a family friend Ryazanov that the cause of death was heart failure.
In September and October Ryazanov held elective treatment and was discharged from the hospital. But a week ago he was again hospitalized. State director is serious. The last days of the doctors fought for his life Ryazanov. Its hooked up to a ventilator, but were unable to save.
Eldar Ryazanov was born November 18, 1927 in Samara. After the war he studied at VGIK, after which the first filmed documentaries, and in 1955 began working in the “Mosfilm”. The first major work in 1955 was the “Carnival Night” with Lyudmila Gurchenko.
This was followed by the comedy films that brought Ryazanov-Union fame and popularity. Outstanding works of this genre began to film “Beware of the Car”, “Hussar Ballad”, “The old robber”, “Irony of Fate, or Enjoy Your Bath”, “Office Romance”, “Garage».
succeeded Ryazanov not only comedy. Recognition received movies like “Cruel Romance”, “Forgotten Melody for Flute”, “Dear Elena».
In 1990 Ryazanov continued to shoot. Among his films of that period – “Promised Heaven”, “old horse”, “Hello, Fools».
Since 2002, film director was the president of the Russian Academy of Cinematographic Arts “Nika” .. In addition, he taught at the University courses for scriptwriters and directors.
After the introduction of Russian economic sanctions against Turkey, Turkish Prime Minister Ahmet Davutoglu said that Ankara expects from the Russian government a cold-blooded actions, reports Bloomberg.
«affect not only the Turkish economic interests, Russia also has economic interests in Turkey “, – said the prime minister.
According to Davutoglu, his goal was to reduce tensions between the two countries and prevent the recurrence of incidents such as the collapse of the Russian Su-24 on the Syrian-Turkish border.
Davutoglu said that Turkey is a priority for open communication with Russia, as well as the coordination of activities in Syria. According to the Prime Minister, the collapse of the Su-24 “has clearly shown that the operation in the same airspace two separate coalitions can always lead to such incidents».
The relationship between Russia and Turkey worsened after November 24 Turkish F-16 fighters shot down a Russian Su-24 bomber on the Syrian-Turkish border.
Ankara claimed that the attack on the plane was a response to the fact that the Su-24, within five minutes, ten times violated Turkish airspace and did not react to incoming alerts. The Russian Defense Ministry, in turn, argued that the Russian aircraft throughout the flight was in the skies over Syria.
Russia’s President Vladimir Putin called the action of Ankara against the Russian aircraft “stab in the back” by “supporters of terrorists” . November 28, he signed a decree on sanctions against Turkey. The document provides for a ban on the import of certain Turkish goods, as well as a ban on charter flights between the two countries.
In addition, the decree bans or limitation of the organizations that operate in Russia under the jurisdiction of Turkey. This is a ban on the performance of certain types of work and services specified by the Government. Putin also forbade employers to recruit workers from among Turkish citizens to January 1, 2016.
A list of specific measures should the government. In addition, 1 January 2016 Russia will cancel visa regime with Turkey.
Earlier, Turkish President Recep Tayyip Erdogan stated that Ankara would like to see a more positive approach on the part of both sides of the conflict. The President once again stated that he would like to meet with the Russian leader in the fields of climate summit in Paris. According to him, such a meeting could be “an opportunity to restore relations” between Moscow and Ankara.
«We say Moscow: Let’s discuss the problem and solve it. Let’s not bring joy to others, spoiling our relations “, – said Erdogan.
The most” boring “film 
