Raspiarennaya book, nice person, okolovsky Director and decent for a movie without special effects budget — it would seem, what could go wrong? Yes, about everything. “The girl in the train”, arrived in the capital on Thursday officially declared the disappointment of the week. Led the promising project Tate Taylor managed to remove the standard boring movie, which claims to detective together with attempts on Thriller had committed the suicide at the beginning, taking more and order a hackneyed family drama. The trusting viewer, who will decide to spend their money in a well publicized release, will have a lot of urge to share their fate. Boredom — the lady that was strong…
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Decent-looking girl a day goes by train by one seemingly happy home and diligently jealous of living in it a young couple. Upon closer inspection, owls, of course, are not what they seem. First passenger will be revealed before the viewer as a divorced chronic alcoholic with retrograde amnesia. And then the family fortune that has been proclaimed from the window of the train to give significant crack in reality. One morning passing will see how happy wife kissing another, and already the next day wakes up with a broken head and a vague feeling that it happened something irreparable. The sensation will not disappoint.
Next locomotive of events significantly slow down, think, and lazily uhnet in sticky webs of three family dramas, which will completely dissolve two dead bodies, intrigue, suspense, hope for a bright future and nearly two hours in the life of the unwary viewer.
Yes, this is a very sad movie. Sad, because he cheats on just about all hope at once. Were you on the original adaptation, sturdy Thriller, the hardboiled detective or a poignant family drama — will still be disappointed. This is known as the motto of the brothers Strugatsky, reflected in the distorting mirror of bad movie — bad luck for everyone. It will be difficult to find someone who will not go away unsatisfied.
it’s hard to say where is the milestone after which the film went wrong. You seem to be here just in the company of Emily blunt boarded the train and began to gaze intently through glass in melancholic autumn landscape in anticipation of something sort of like suddenly the car has no one left but boredom, dullness, sadness, and cunning of Morpheus, haunting offering you their dubious embrace. And there is no escape. And there is no help. Dogs whine, the train is coming.
the Picture is painfully lacking tempo, rhythm, style, consistency, ability to keep the audience and sometimes even good taste. The narrative is terribly littered with flashbacks, lyrical istupleniya, extra scenes and more reminiscent of a verbatim adaptation of the dying hysteria headless chicken rushing without a purpose, then falling into plot holes, bumping into sharp corners.
And it’s not even that detective and Thriller then participate only nominally, and the lion’s share of the blanket they dragged feminine reflection about the complexities of family relationships, loyalty, betrayal, and psychological cannibalism. Was ready for millions of people who read the book. Yes, and there’s nothing wrong with female movie — even for spectators-men. The same “Disappeared”, which this release does not compare just lazy, too, has benefited much from the collective unconscious of the beautiful half of humanity. However, the results were opposite: where the picture Fincher was impossible to put down (despite familiarity with the original), “the Girl on the train” causes only discomfort and disgust to pity. Moreover, the boredom and drudgery here will keep not only gender equality, with equal enthusiasm, absorbing the audience of both sexes, but would not divide an audience to read/not read — you will get everything. I t’s hard to like a film that is equally contemptuous of the characters and the audience, not dividing them, neither sexually nor professional, nor along national lines. In this war there are only losers.
Painfully long setup, replaced by a tense affair, will grow pale with sickness in half with the organizational impotence and spill on the unit waking clumsy ending, to see where emancipation and gender, the message will unless absolutely total followers of feminism. Impression only compounded sterile operator and decorations, if the selected robot guitarist. Against this background, unnaturally flaming Emily blunt and the rest Kamennaya artists and will cause nothing but a fleeting inconvenience, beheaded hardly concerned about the dandruff.
it turns out that the movie literally has nothing to offer the viewer except the warmth and darkness of the cinema, where everyone can do their job. Whether this is a dubious bonus for the money spent and the time everyone decides for himself. However, the running of the train at the first stop, it’s easier not to get into it at all.
the Trains come and go, but the life we have is still the one.
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