On Thursday, 4 August from St. Petersburg came the tragic news – the 88 th year of life died legendary Zinaida Sharko. Most of his life the actress has worked in the Bolshoi Drama Theatre (BDT). There she became a loyal associate of George Tovstonogov.
The funeral of People’s Artist of the RSFSR Zinaida Sharko will be held on Monday, August 8 at Bolsheokhtinskoye cemetery of St. Petersburg, the press service of the theater.
18-year-old Charcot came to act in GITIS, but, according to legend, seeing the same hungry as she was, the secretary chewing pickles, offended for art and preferred Leningrad LGITMiK writes Kommersant . The suitcase she lay the potatoes on his chest – the medal “For Valiant Labor in the Great Patriotic War” (900 amateur concerts in hospitals). And in the soul – the confidence that it will become the second great Alla Tarasova: the film “Guilty Without Guilt” Charcot watched for three days – all sessions
The great teacher Boris Zon long convinced Charcot that it is characteristic. , comedienne. Great Nikolai Akimov reluctantly let her go to the Tovstonogov, is considered a “party drummer.” Tovstonogov also trusted her first comedic role: Raika Kovrigina ( “When acacia blossoms” Nicholas Vinnikov, 1956) was transformed from “the guy” with a cigarette in his mouth in a feminine femininity. But this was an exceptional case (along with Eve in the extravaganza Isidore Stock Items “Divine Comedy”, 1962) when Charcot was lucky to play female happiness
Her topic was the tragedy of unfulfilled happiness, lost love, female abandonment:. “I do not Defiant Ones “Douglas and Smith, 1961; “How many years, how many winters,” Panova, 1966. Her Olga in “Three Sisters” (1965) Tovstonogov interpreted as “the captain of a sinking ship.” For “Three trash bags of wheat” (Vladimir Tendriakov 1974) Tovstonogov specially composed for Charcot small but symbolic role of collective farmers Manka, so expressively due on the arrested chairman of that performance nearly banned.
His greatest role in BDT – the formula is not only unfortunate woman’s fate, but the miserable years of Soviet history – Sharko performed in “Five evenings” Alexander Volodin (1959), a duet with Yefim Kopelyan. To her Tamara, bury themselves alive in a communal way of life, a man returned her life, somewhere disappeared for 17 years. The BDT were too many outstanding actors. Charcot became too early age, translating into roles of mothers and grandmothers. In the 50-odd years she has played the nurse in “Uncle Vanya” (1982). A movie that she was with child “poisoned”, ignore it. Once again, trying to “Lenfilm”, she overheard the operator, who said to the director: “Yes, it is necessary to put three hours. You’re better than any cute girl I bring. ” When, in 1970 work in the film will be more or less regular, Charcot would get the same mother, the grandmother, the occasional head teachers and secretaries.
It is not surprising, and it is symbolic that the first and only (not including movie Vitaly Melnikov ” The garden was full of Moon “, 2000), the title role gave her eccentric, unique expert at the tragic and the comic grotesque tragedy of Kira Muratova. In Eugene Vasilevne of “The Long Goodbye” (1971), Charcot discovered herself. When she came back from filming, and the battle with his son, he did not believe that it seriously: “Mom, why did you rehearse on me»
Strongly not clear why the great, but especially consumer film has caused fury kinonachalstva. Obviously, too unusual, vaguely disturbing image of the world created three strong women: Muratov, Charcot and screenwriter Natalia Ryazantsev. After uymy rework the film released in rent, but soon took off and “walled up” for 17 years. Three copies survived. One of them Charcot kept under his bed. When the film dragged on view in the BDT, colleagues amazement caused subtitles on the screen. It turned out a copy for the deaf: an episode worthy of Muratova. One could see in it, and the metaphor of fate Charcot if – despite the role that she has never played – she never ceased to repeat what inconceivable happiness was the theater for her
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