Photo: Mr Bertie / Interpress
5 August 2016, 15:42
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Do not become People’s Artist of Russia from a gold team tovstonogovskogo BDT Zinaida Sharko. Of these actors write “legendary”, and not just for the red catcher, but because of it, for a stunning ZM – The role, history, facts, which, when combined, add up to a hypnotically attractive and unattainable, even for contemporary reality.
It was not until her family of actors. That is unless the father is on the birth of his son Ivan and myself Zinaida Maksimovna began to call “my grandfather Maxim” was a passionate, obsessed, crazy hunter-dreamer: he for many years, going into the woods with a gun, ordered the meat in a nearby village, and house his tales of huge, fearsome bears and other insidious predators, with whom he had to fight, forcing the kids to go numb with horror. Zinaida Sharko told me that, when one of Dad’s friends accidentally let slip how were hunting really is forever excluded from the list of chatterbox “real men».
In adulthood, has become a leading actress tovstonogovskogo BDT, Charcot quoted Polish director-experimentalist Jerzy Grotowski: “The scene – the only place where you can not play” – and insisted that all the unlived life, she lived for the stage and over and above. Apparently, so she forgave both of their famous husbands – Igor Petrovich Vladimirov and Sergei Yursky – they were not too beautiful to leave, never spoke of them bad, but not particularly fond of remembering. But about partners on the stage – especially of Efim Zakharovich Kopelyan and their scenic novel in the “Five Evenings”, which discussed, without exaggeration, the whole country, to say loved – and said many beautiful, not without irony, but with a huge and as it seems, over the years, only growing love. “Kopelyan easy to love on the stage?” – I asked her once. “Lord, yes it was impossible not to love” – immediately replied Charcot, and immediately remembered the magnificent Kopelyan, quoted Marcello Mastroianni: “How everything is ground, if I play heroes-lovers.” “It is said Fima! Fima! Can you imagine? And I am now trying to persuade the hero-lover – this … “- and then Charcot called several of today’s superstars. And that her words were not grumbling actress who has all the best in the past. All of this unique past it has retained, made a role model for young actors in this. In her until the very last days of easily recognizable and Olga of “The Three Sisters” with perfect posture and indisputable advantage, about which Tovstonogov invented it – the captain of a sinking ship, image, perfectly caught the actress. And Tamara of “Five Evenings”, which Charcot took a thirty-year – had to draw lines. And Olga Shemetova of “How many years, how many winters.” Over the years, Zinaida Maksimovna internally does not change – at least not losing scale charm, stunning irony and sentimentality shy: if talking about someone felt tears come close, trying to hide them. But usually, just behind the gentle stories follow-killer Funny. It has preserved its intonations theater collective memory of historical anecdotes about the luminaries BDT and, above all, the favorite Charcot Kopelyan.
With Yefim Kopelyan in the play” Five evenings “1959
Photo: Press office of BDT them. Tovstonogov
In short, it was there, in Charcot, except scale, talent, crushing feminine wit and boisterous responsibility also some incredible personal quality factor, noble simplicity – these people without a chervotochinkoy rarely seen in everyday life, not to mention I mention the creative environment. The point, apparently, in the roots. Born Zinaida Maksimovna in Rostov-on-Don, but so necessary for the formation of a full-fledged human childhood experiences – “unforgettable feeling of universal love you, care, affection,” as formulated the actress in his book “My personal data” – Charcot associated with the village Lower Solon Izyum district, Kharkiv region. Even as an adult and famous, she wrote letters to literally “the village grandmothers”, without specifying the names, just Baba Katre or Baba Priske – and letters reached because, as they said with pride the villagers: “And we Wuxi Luda – Sharkey and dog wuxi – Cirque. ”
Actress liked to tell that, when he was already quite mature, firmly believed that people with the name Charcot live only in so far removed from civilization village – so separate clan, miraculously preserved baby clarity and purity of consciousness. “My prevozdannye relatives”, – joked the actress. A book written about the “wonderful good-natured, naive, harmless tribe Sharkey – there is the Incas, Aztecs, Iroquois, and we – Sharkey.” It is true then, already living in Leningrad, I learned about another “Shark” – Paris professor, who invented a shower. This is what Professor plaited whenever wanted to make fun of the actress. Even Nikolay Akimov dedicated to young Zina Charcot “Elegy” rhyme:
- When I was suffering deeply, So I took power shower
It does not help but shower – I was one among the alien souls
Now I breathed easily, I found the recipe – the maestro, carcasses
!
Separately, I take a shower separately – Zinochka Charcot
!
All this, of course, dream. In this field I am no longer a warrior.
Such beauty, similar purity, alas, I am no longer worthy …
Perhaps that is the secret of the actress Zinaida Sharko -. In the unity of the purity and beauty, which is not disintegrated with age, despite the loneliness, illness, many years of roles after the death of BDT. Somehow she managed to not lose confidence that “garnesenku malesenku divchinonku” pride of my father’s village.
In fact, it began with the arrival of adulthood from Cheboksary, where she lived in the school years, and during the war performed in hospitals, in Leningrad and entering the outstanding teacher Boris area course. And this is connected with the maturing proved exceptional theme: “To Leningrad, I did not know what anti-Semitism”, – the actress admitted in his memoirs. That is, she knew, of course, about Janusz Korczak, who went with his pupils in the gas chambers, knew about Babi Yar, about Hitler. But the world for her, according to her own admission, turned when she heard about the case of doctors, I learned about that favorite teacher, Professor Zone threatens excommunication from teaching, because he – a Jew, a wonderful teachers in literature and history Theatre dismissed as media “not the names of” formal cause “of cosmopolitanism.” “I felt confused and helpless, like Mowgli or Tarzan, trapped in civilization”, – wrote Charcot
.
Perhaps, in the theater, on stage she remained Mowgli, who found her beautiful “jungle” on the stage. It does not just know how to – she could not help but love the scene. And the final moment of the play “Five Evenings” when it Tom said Sasha Ilina – Kopelyan: “What would have been horrified if I am for someone to marry”, raising at the same time his head and looking at your favorite eye could one day hearing her story, to present to the smallest detail. However, this point is connected, and one very revealing anecdote from the life. Decoration play by play Volodin was placed on platforms that left for the scene with the actors. One day, behind the scenes, Zinaida Sharko (or even Tamara), tried to raise Kopelyan head and look him in the eye, but found that her favorite Sasha Ilin is filled with the most unsuitable for this situation, laughter and, according to Charcot, “biting his famous mustache “. “You know, I thought …” – tried to justify Kopelyan, but got Charcot juicy slap, saying, “Remembering’ll be home!»
In general, Yefim Kopelyan, distinguished by incredible fun-loving, could not play one of the scenes of the “Three Sisters” – bursting his laughter and all. Save from the fiasco luxury Colonel Vershinin in this moment could only be one thing: a stern look Zinochka Charcot, the captain of a sinking ship – for it Kopelyan many years, as he walked the show, clung like a drowning man – at straws. And floated.
This Charcot Volodin came up with that of Tom “Five Evenings” to sing the song “You are my Darling” – is it had a tremendous professional flair
.
This Charcot, playing a love story, “How many years, how many winters,” came to the theater for three hours to partner in the play, Kirill Lavrov, God forbid, I have not seen her in curlers.
This Charcot once during a tour in a hot Tbilisi after it has come unstuck one eyelash easily like a fly, brushed, and another, and enthusiastic Georgian critic wrote: “As for Tamara came to love, she had her elated and made beautiful and it became no longer needed decorations
make-up. ”
And there are examples of its phenomenal professionalism can cite dozens.
Her creative life can not be called unhappy – but happy and it is difficult to call, although in later years she played some outstanding old women in the series and entreprise. It feels like Zinaida Sharko willful decision to remain human thaw – the blessed Sixties, who briefly presented the faith in the possibility of in the country of genuine, solid, not a double life and the value of an ordinary man with his private happiness everyday. The name of the most famous film with Charcot – “The Long Goodbye” by Kira Muratova – appeared symbolic for the actress. Charcot would prefer to keep the end of all their ideals remain captain of the ship, which had sprung a leak at the very beginning. And when she is already in the XXI century to go on stage – whether BDT whether comedian Haven – and they are ideal, as they returned. Effort talent.
In May 2014 the second stage of the BDT in Kamennoostrovsky theater celebrated the 85th anniversary of the actress. On stage built communal “Five Evenings” – furniture and doorframe survived miraculously. Congratulations climbed onto the stage, rang the door, then sat at the table with the Hero of the Day, and speeches. At some point climbed Oleg Basilashvili, a partner at Charcot tovstonogovskim performances – and for some reason I turned on the tape recorder. Here is the text, word for word:
«I remember the feeling when I first got to play” Five Evenings. ” A woman in hair curlers, who lived only a nephew, darned his socks, cooked meals – all of a sudden it turns into a beautiful woman, which look dazzling scary. And I understand that the earth’s axis is now passing through this room. Most importantly, it was on the ground at the moment – that you played and Kopelyan. I then went out into the street – and she seemed completely different. It’s like, when it was not Van Gogh, we saw the world through the eyes Repin. A Van Gogh appeared – and our eyes like a promo – and we saw daffodils, see rye, sunflowers … Boots and they became beautiful. I do not want to talk to you compliments, and just want to say thank you for what you are so changed my mind. They say: brother. We’re brother and sister playing in the “Three Sisters.” I remember the scene that you played with Natasha when she was driving home from a nurse. In the hall for rehearsals then I sat Pasha Luspekaev – and he began to laugh wildly at this stage. I started to push it, and he told me in response: “Yes, you see, it’s insanely funny! It is so good that he could not say anything to Natasha: “Get out of here, I’m here hostess!” You were my sister then … And then you become either my, or Sonya’s nanny in “Uncle Vanya.” I figured out that you were my nurse. And you came from a warm and cozy this outlook, as well as from the Koli Forum – Waffles. And you with him, oddly enough – playing two silent, in general, the role – played a crucial thing in the play “Uncle Vanya”, because you were home. Here, Zina, what I’m going to say. I would like to explain to you in love. I now have my eyes on a wet place, but it’s clear why. I remember your final monologue from “Three Sisters”: “It will take time, and we are gone forever, we forget, forget our faces, voices, and how much we had, but our suffering will pass into joy for those who will come after us, happiness and the world will come to earth, and people will remember a kind word and bless those who live today. Oh, dear sisters, our life is not yet over. Will live! The music is so fun, so happy, and it seems a little more, and we know why we live, why we suffer … If you like to know if to know! »
Jeanne Zaretsky, “to Fontanka.ru»
The project was implemented with a grant of St. Petersburg
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