“Surprise from the Coen brothers’ – as the press writes about the results of the Cannes Film Festival. Solution Hollywood masters, who headed the jury this time, someone called “controversial”, someone – “bold”, and together – “unusual.” “Palme d’Or” for the best film critics predicted one tape and get another one.
“Surprise from the Coen brothers’ – as the press writes about the results of the Cannes Film Festival. Solution Hollywood masters, who headed the jury this time, someone called “controversial”, someone – “bold”, and together – “unusual.” “Palme d’Or” for the best film critics predicted one tape and get another one.
Despite all the restrictions – not to self Cannes on the stairs, do not walk on the red carpet high-heeled shoes, imagine a festival without glamor impossible. So, both the first and the second was at this time even more than usual. Hundreds of thousands of photos – SELF instantly flew all the social networks of the Internet and high heels and thin hairpin elegantly complemented luxury women dress festival guests.
Two weeks of screenings is behind the selection of the dozens of paintings in different competitions. In the main program – 19 works, and it’s time to name the winners.
Best Actress France shared with America. Just two winners. American Rooney Mara for the film “Carol” – a film about the complicated relations between the two women in New York of the last century. The award went to the Frenchwoman and Emmanuel Berko for her role in “My King”.
Best Actor again and again for the French social drama. Vincent Landon – actor little-known outside France. The painting “The law of the market” – the story of a factory employee, who is desperately looking for work. For today’s France is still high level of unemployment is very topical theme.
“This is a bold political step – to nominate and award a film like mine, as well as paintings and other Emamanuel Berko, telling about the difficult fraction of our contemporaries . And I want to say, and to dedicate this award to those who are often overlooked. You better and higher than you appear to yourself and others, “- said Vincent Landon.
About the movie-dystopia” Lobster “Greek director Yorgos Lantimosa in Cannes there were a conversation so that the jury did not mention it – it would be a real misunderstanding. “Lobster” – a tragicomedy about the near future, about how soon people will lose the right to be alone, and everyone must get a partner. The movie played great Irishman Colin Farrell. “Lobser” won the prize of the jury.
Asian cinema each year in the competition program of the Cannes festival. Best Director – Taiwanese Hou Xiaoxian. Historical drama “Killer” era of medieval China – a combination of leisurely contemplation and lightning eastern kung fu. No picture in the style of martial arts action could not do. For the director it is already the second award of the prestigious film competition.
Grand Prix of the festival in the picture, which predicted a “Golden Bough” – “son of Saul”, Hungarian director Laszlo Nemes. The drama that unfolds in a concentration camp “Auschwitz”. Two days in the life of Saul Auslandera concluded Sonderkommando “factory of death”, burning the corpses of victims of the Holocaust.
“Thanks to the Cannes Film Festival that invited us, Thierry Fremont – that included our film in the main program, and the whole team of Cannes “- said Laszlo Nemes.
And finally, the best film of the festival. “Palme d’Or” got the picture “Deepa” directed by Jacques Audiard. Again, a social drama about the complexities of not only the French, but rather a pan-European multiculturalism. The fate of the Tamil-illegal immigrant from Sri Lanka, who moved with his family from the horrors of war at home in disadvantaged suburbs of Paris. Living on the outskirts of the French capital turned out to be no better.
“Thank you so much. I’m very excited. I knew that this would happen to me if I get this award. To receive an award from the hands of the Coen brothers for themselves I was an exceptional event, “- said Jacques Odiyar.
The best film for many – a complete surprise, as well as a complete disregard for the Cannes paintings of Italian filmmakers, and last in the competition was a lot. Modern classics by Paolo Sorrentino, Nanni Moretti and Matteo Garonne leave Cote d’Azur with empty hands.
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