In Anapa will open the festival “Film shock” – Russian newspaper

Today opens the 24th Film Festival of CIS countries, Latvia, Lithuania and Estonia “Film shock” in Anapa.

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His five competitive programs (full meter shorter, children’s movies, games and TV films, with recent then separately selected contest kinoalmanoahov “Omnibus”) show: the territory, “Kinoshock” remains the only place where the current state of cinema of our former Soviet republics presented in such full, and it can be argued, comprehensive volume.

Despite all the penalties, aggravation of political situation and the economic crisis, “Kinoshock” show Ukrainian film. The main competition film “Gold Coast fly” directed by Ivan Kravchishin in which a little girl, the poet does in an adult would argue, why life is so beautiful and so short as flying sparks over the fire – a golden fly. In short, “The boundaries of shock” came Ukrainian painting “Snails” Marina like (to receive prizes at the Cannes Film Festival as the author of the best short film for “Cross”) and “some distance” Catherine Ermine, where a young couple looking for an answer to the question whether they will be together until death do them, or until the last state of their love? The competition Ukrainian almanac “Blue Dress” Igor Minaev, and in the competition program “Cinema on the Square” included a joint Russian-Ukrainian Sergei Mokritskiy painting “The Battle of Sevastopol”.

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Films from Armenia, Tajikistan, Kazakhstan, Uzbekistan, and yes, even from Lithuania and Latvia on Russian screens, not to mention the Russian box, enter today unless a miracle (as a rule – the festival), and therefore are perceived by the viewer as something exotic. “Film shock” usually tries to select the best that has been removed during the past year. The terms of the thematic issues of competitive national films at this time tends to intrafamilial. In the Armenian film “And on the seventh day,” Arman Chilingaryan with the only survivors after the earthquake, the old man and his grandson, we learn the value of life. The Kyrgyz film “Heaven nomadic” Mirlan Abdykalykova together with the whole family of nomads to comprehend the power of love for his native land. In the Latvian “Modris” Juris Kursitisa solve the problem of fathers and children – more precisely, mothers and sons, who have come in such a psychological impasse that led the latter by the first in the dock. The Kazakh “Kenzhe” Ermek Tursunov brother will war against brother – not figuratively, but literally. And in “landscape” renowned Uzbek film director, winner of international film festivals Elkina Tuychiyev the perspective will be dramatic and highly moral relations between the adopter and the adopted son of his parents.

The most attention at the 24th “Kinoshock” will be given to Georgia. Kinokontekst competitive picture Levan Tutberidze “There’s just around the corner” will be a special expanded view of “Focus – Georgia”, showing the best films of recent years, selected filmmakers represented countries. It includes films of George Paradjanov, Zaza Urushadze, Levan Koguashvili, Tinatin Kadzhrishvili and tape Nana Janelidze “And if there is a theater ?!” about Kakha Kavsadze already marked “Nike” as the best film of CIS and Baltic countries. I recall that in previous years on “Kinoshock” the focus is cinema Kazakhstan, Belarus, Armenia, Azerbaijan, Kyrgyzstan and Russia.

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This year’s Russia in the main competition “Kinoshock” present “ban” Alexei Kozlov and “window” Nicholas Nikolaichuk. By the opening of the festival prepared the world premiere of the joint Belarusian-American painting “We brothers,” with Alexei Serebryakov and Eric Roberts (brother of Julia Roberts), starring that after “Kinoshock” see in forty countries around the world. And with a little more degree of hope here waiting for the show in the first days of the festival of new work “Rest only dreams us” Lithuanian director with a successful European creative biography Sarunas Bartas, had never leaves a “Kinoshock” without winning. In the production of his new film, he reunited Lithuania, Russia and France. As in the best tradition of the festival, which for twenty-four years of its existence in the post-Soviet space have learned, showing the wonders of creative diplomacy and overcome territorial boundaries, brilliantly sidestep any ethnic conflicts.

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