Moscow hosted the premiere of the documentary film Leonid Parfenov “Russian Jews” – Jewish information and social projects

The Russian film from 14 April there is a new documentary by Leonid Parfenov, “Russian Jews” – the first picture of the trilogy about the role of Jews in Russian history. On Friday at the Moscow Center of documentary cinema passed premier display of paintings, transmits television channel “Rain”

“The entire history of Russian Jews, Russian Germans, Russian Georgians -. It is some comparatively long period in the history of their people, when a massive shift in the “Russian character”. This is a fantastic story, which even some peers do not have. It is impossible to imagine that someone was cool intentionally renounce their nationality, language, faith and culture, to go to the Russian character ” -. Parfenov told the correspondent of TV channel

The journalist stressed that he studied was the effect of the representatives of the Jewish people in all spheres of public life in different periods of Russian history. “It seems to me that it’s a great page of Russian culture and world Jewry as a whole”, – quotes the journalist’s newspaper “Arguments and Facts”

As the portal a.kras.cc notes the film “Russian Jews” had been prepared. Fund “Genesis” and the studio “Recently” in collaboration with the Center for documentary film. The trilogy tells the story of Russian Jews and trying to understand the phenomenon of the whole nation.

The first film of the trilogy covers events from Kievan Rus to the 1917 revolution. He said, in particular, the Russian reign of Catherine II, who was the country with the largest Jewish population, and how in the XIX century, the Jews overcame insulation in Russia.

Director of the film was Sergei Nurmamed, who previously in an interview with “Medusa” I talked about the fact that especially for this project was invented a new style of “gaming reconstructions, which may be the closest to the newsreels, then converted to screen images significant to the plot objects, buildings, human silhouettes.” “In the film, there are dozens of historical figures with their authentic citations to these were actually evidence in the first person, using face-tracking technology.”, – He added

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