Decoration Nikolai Simonov – mounted on a turntable stage two-storey wooden house with galleries, something similar, if not a huge tram, at least on the train, – went to director Roman Theodori with great play by Tennessee Williams, and has made distribution: another director, who was going to put in the Chekhov Moscow Art Theater “A Streetcar Named” Desire “,” shortly before the start of rehearsals of the work declined. For the young director, in recent years made famous by them delivered in Barnaul and Krasnoyarsk performances, rehearsals MAT certainly become a good school – even when you get such a bright personality acting in addition to the proposed text circumstances.
Piece Williams and so seductive that hard, downright in Broadway prescribed plot leaves room for the fine nuances of the characters – because, perhaps, and not gone for more than half a century of “A Streetcar Named ‘Desire’” worldwide with grooved rails repertory. Everyone knows that the main theme of the play – facing fragility and rough, animal power, conflict lonely human hopes and everyday life of righteousness. But inside, there may be different variations of the theme.
Famous artists are playing major roles in the new play is commendable, with full dedication, according to popular belief about how to play the play, which previously beat good actors worldwide. In the company of the Moscow Art Theater, of course, the first one who comes to mind when thinking about Stanley Kowalski – Michael Porechenkov. He is absolutely convincing, not only in his dumpy male solidity and rough landings, but also hinted at the fact that Stanley is not so simple, that the right to be strong and ruthless, he has been assigned, and to himself deserved. Quite different – Mitch, who is not afraid of Michael Truhin sometimes make ridiculous; regret his audience always have time – well, at least when they hear that the courtship of Blanche caused not so much by his decaying male ardor, as the desire to comfort the dying mother. Here bustling, noisy, enthusiastically immersed in family life, Stella Irene Pegova – a perfect illustration of the saying about the night and day cuckoo. Flown day cuckoo – her sister Blanche, so different from Stella that their bloodline is hard to believe. Marina Zudina rubbings image Blanche with the best American icon – the sample named Marilyn Monroe, adds to taste inexpensive coquetry, uncertainty, nervously fracture – and carefully carries the prepared mixture until the very end of the play.
These characters met in the play MAT, but could meet in “Streetcar” some other route. A path that wanted to continue the Roman Theodore, is seen not so much in how much around the main plot. Especially read carefully directed two places in the play Williams – firstly, a remark-poetic prologue, which describes the outskirts of New Orleans, where Stella and Stanley live and where the evenings are always around the corner of a broken piano sounds are heard. Secondly, the recognition of Blanche – her recollection of how she once found her husband in bed with another man and then as husband shot himself at a noisy party.
Three piano directed back out of the corners of New Orleans right on the scene and generously sandwiched action music (composer Olga Shaydullina way, sitting at one of the instruments) and dance numbers. That same fateful party where dancing beautiful young men and women, which have been cast aside puritanical standards of decency and everything is literally saturated with evil temptations – clothes on heroes is becoming less and less, some men wear women’s clothes, and dance duets, by contrast, do without female – that this party still does not let Blanche DuBois. On the heels of a heroine even at home with her sister walks the same accident, which she calls the boy: he was a boy, invisible to others. And the sound of a gunshot sounds over and over again, pretending to be other sounds.
So it is not the loss of the family home, not a lack of money and reputation whore pursue Blanche and suicide boy. It is from this memory, by Theodore, runs Blanche – and although I was the dress heroine Marina Zudina not look victim of persecution mania, we understand that it is in his terrible tram really Has reached already before the last station. Feelings of guilt – a terrible punishment for the man. Here and in the end of the play we see the Roman Theodori howling at the moon alone Stella, which is obviously in the end went crazy because of the fact that my sister deposited in a madhouse. And Blanche at this time, just a monument unconquered, towering over her in a white dress – perhaps from some other play.
No comments:
Post a Comment